GALERiA e BREGDETiT is an independent art space in Radhimë, Vlorë, in the south of Albania. The gallery runs an off-season program to present a different setting for a different mindset of the contemporary art scene. The gallery surfs the dynamics between the local and the global, and the tension between human space and nature.
AiResidency Program / SPLIT / CROATIA 2020 / CULTURE HUB / Link
Temporary activation of temporarily closed spaces in the historical center of the city of Split
Between February 15 and March 7, five venues in the Old Town became open studios for artists and spaces for citizens. Through a public call “adopt a space”, citizens and civil society organizations were able to propose and implement their own programs and activities in one of the spaces. The rich program did therefore consist of open studios of eight artists from Croatia, North Macedonia, Albania, Bosnia and Herzegovina and Kosovo, as well as workshops and pop-up events (artist talks and meet-ups).
HABITAT HAPPY x NEUROTITAN GALLERY BERLIN Habitat Happy shows international perspectives on housing, eviction and urban poverty. On the one hand, the exhibited works present the topic as a current issue in contemporary art and while also documenting strategies of creative protest.
site specific intervention, part of the solo exhibition “I look at them They look back at me” – Skopje, 2019
“The exhibition extends outside, to the Studio’s terrace, with a site-specific intervention – a writing that becomes a traffic sign that draws the visitors’ attention on the landscape as an infinite borderline of the exhibition. It recalls the temporary exclusivity of the view when visiting the exhibition. Instantly, the writing speculates on spatial belongings. And with this, the audience is guided, through their interaction with the works, to re-think the wider concept of private vs. public. Where is the limit to our possession? Whose private view are we part of?”
This work is inspired from the old Albanian movies, which may be considered as the only uncontested echo of communism into our daily life. Today, they lost their ideological incantation, turning to be a source of nostalgia, or some kind of reference to reconsider our current system. Being an amateur of the vast collection of old Albanian movies, I began to photograph my TV screen, so I could take out and collect different characters, objects and scenes. Then I started to create another “scenarios” by engaging old cinematography to current media affairs. This juxtaposition is somehow similar to the way we daily receive all sorts of information when using a remote control.