It started out of some outdated wallpaper catalogs. The work consists in several individual pieces that fit to one another without any particular order and can be extended infinitely.Window prints, wallpaper textures, paint, cardboard, etc, are used to create some sort of “leaflets”.
Interior walls reveal their accurate patterned coziness, while the facade competes using windows as its decorative pattern. It’s a moment of confrontation between two different sides of a single structure. There is a spatial cohabitation with shifting spaces, folded walls and superposed windows.
“Paperwalls” at Kalo Gallery untill March 19, 2017. Part of the group expo “Power of grace”.
In “Building our nation”, Kostandini’s subject is the moving image as
carrier and diffuser of ideologies and propaganda. In a playful way she juxtaposes black and white images of characters from the propaganda films during communist period
in Albania with colorful backgrounds of Hollywood films or images borrowed from the incessant flow of local media. Each painting contains also a soundtrack, consisting of bits
of audio pertaining to the films or the news chronicles from which the images have been borrowed. By installing all the audio players in the same place the viewer is challenged
to identify the image/audio combination as well as conceive of his/her own reading of the works. The installation problematises the role of images in a media dominated
society, hinting on the similarities of their use for propagandistic or ideological ends, either from the former communist nomenclature, or from today’s neoliberal free market,
and profit driven corrupted governments.
text by Edi Muka
– exhibition view –
There is a clash of concepts that tends to tease a phenomenon or a social custom. “Pink cotton concrete” creates a strange relationship between functions and products. This work reveals the childish desire by “translating” concrete into cotton sugar.
Candy cart, hunting kids around town! Acryl & oil small painting.